Boogiepop wa Warawanai (2019)

Hushed exchanges among the female student populace of Shinyo Academy center around an enigmatic supernatural entity. This entity is Boogiepop, a Shinigami who is rumored to murder people at the height of their beauty before their allure wanes. Few know of his true nature: a guardian who, between periods of dormancy, manifests as the alter ego of a high school girl named Touka Miyashita to fend off "the enemies of the world." Now, a string of mysterious disappearances—presumed by the school to be merely runaways—has caused Boogiepop to awaken. But somewhere in the academy, a menacing creature hides, waiting for its opportune moment to strike.

Boogiepop wa Warawanai subtly explores the intrinsic associations between human beings and their perception of time, while delving into its characters' complex relationships, emotions, memories, and pasts.

[Written by MAL Rewrite]

Boogiepop Main

Yuuki, Aoi Japanese

Kirima, Nagi Main

Oonishi, Saori Japanese

Miyashita, Touka Main

Yuuki, Aoi Japanese

Niitoki, Kei Supporting

Shimoji, Shino Japanese

Orihata, Aya Supporting

Ichinose, Kana Japanese

Kuroda, Shinpei Supporting

Miyauchi, Atsushi Japanese

Suema, Kazuko Supporting

Kondou, Reina Japanese

Asukai, Jin Supporting

Hosoya, Yoshimasa Japanese

Saotome, Masami Supporting

Enoki, Junya Japanese

Minahoshi, Suiko Supporting

Hanazawa, Kana Japanese

Cook, Justin Producer

Fukushi, Yuuichirou Producer

Tanaka, Shou Producer

Iizuka, Aya Producer

Reviews

Apr 27, 2023

Zaugr

Recommended

A Truly Hidden & Underrated Gem - A Compelling and Entirely Unique Look Into a World with Superpowers and 'Villains'


To give the reader a brief rundown of this show and what to expect from it, it involves a series of 'cases' that span several episodes each, where a new 'threat' to humanity makes itself known—in the form of a new 'power' or 'ability' evolving in a person and being used—that threatens to disrupt the status quo of society. From there we see how these powers and the world, as well as the leading character Boogiepop—a product of these new divergent "powers" itself—interact with one another, ... with the abilities often being complex and powerful, and with the people, and reality, often changing with them. Due to this, more often than not these powers need to be 'overcome' by humanity, with each case—other than Boogiepop and a select handful of recurring characters—introducing a new set of characters affected by the power, whose task is to overcome it. The presentation of each case is often non-linear, requiring at least some attention to make sense of, but with a fairly typical story structure despite that—with always a clear beginning, middle, and end.

What makes Boogiepop as a story so special and great to me, is that in this world full of such mystical and grand characters, powers, and organizations, it always just comes down to the common people rising above to overcome the threats faced. Despite what it might look like initially, 'Boogiepop' the character, however powerful they may seem, is quite literally a phantom within the plot itself—without ever really having much of a defining impact on the world or result themselves. They are only ever there so much as an emphasis and guide for the ordinary, everyday human characters of the story to shine and do their part, and to highlight their greatness and potential. It always invariably ends up relying on them, and their actions and qualities.

Even with all its dark themes and world—and most of its themes are dark—at its heart 'Boogiepop *and Others* ' as a story is ultimately very optimistic. It's a celebration of humanity and our 'possibility'. On the surface, the author does depict humanity "evolving" with these fantastical new powers and abilities, but it is ultimately always in the mundane yet concerted, ordinary and human-achievable actions through which they are overcome, and through which we truly 'evolve' and move forward as a species. Those powers, much like Boogiepop, only serve to bring these out and shine a light on what is otherwise very grounded human feats.

I'd recommend ignoring the ratings and giving this show a try if this sounds interesting to you, or if you especially love amazing soundtracks (courtesy of Kensuke Ushio of Devilman Crybaby, A Silent Voice, and Ping Pong the Animation fame), heavy atmosphere, and thoughtful, moving thematic exploration. This show isn't designed to be loud, flashy, or mass-appealing—the beloved cult-classic Boogiepop novels aren't that kind of story—the heights and climaxes of the story are built slowly, often in a non-linear fashion, and are only really going to be rewarding if you're following the themes and can empathize with the characters and ideas they present. For me, it was and is a highly rewarding, unique, and emotive show, beautiful in the passion of its writing and execution—and extremely rewatchable with all its amazingly developed thematic peaks and moments.

It's that type of show you find yourself replaying tracks and moments of, weeks, months—even years after. Certain moments and stories from this I can't see myself ever forgetting to be honest. It's been over four years now since I first watched it, and I'm still passionate enough to write this review on another revisit.

_________________________________________________________

-- slight spoiler talk follows from here, where I rant in torrential form, but minor detail, about one of my favourite arcs --

__________________________________________________________

Perhaps my favourite episodes and story in this, and that which I feel reflects the series' best, is that of episodes 10 to 13. The arc involves two 'synthetic humans'—'tools' of an organization used to carry out their dirty work, and search for and subsequently eliminate threats—reaching self-realization as they come to critical points in their lives, where the growing 'bugs' of guilt, doubt and questioning inside them overwhelm and threaten to blossom. It shows us the critical events in their history leading up to this, and the humans that changed them; the humans they killed, and were sent to kill, as well as, in the end—their defining moments—and the humans they save. It is a story that contrasts some of the best of us coming to be the worst, with the worst of us coming to be the best, in each of the characters' defining moments. It focuses on the messiness of us as beings—and the potential beauty that such things as guilt, regret, and otherwise minor interactions and interrelated events can come to lead to. The unpredictable causal chain of our lives that can lead us from the best to the worst, and from the worst to the best, giving the ever-present chance for us to aspire and grow, and to change directions as people—rising above circumstance history—and achieving a new definition in the story of our lives. How such a simple thing as Nagi Kirima's brief but sincere words of enthusiasm and support to Scarecrow, and his aspiration of becoming a crime-tackling hero, can further sprout an invisible but infinitely entangled and complex series of events that end up affecting every character's path in the story.


*“Would you be able to cast your regret aside and return again? Return to the moment when your heart was at its most beautiful?”*


It's an incredibly heartfelt and emotive story, and what Scarecrow, and later Mo Murder both come to do in this arc, and the place they get to, represents the most beautiful thing in the world and of us humans to me. In but two such short, brief moments, all their development, history, and lives as synthetic humans come to a head, and they each achieve the most human of acts—they opt for danger and self-sacrifice for the sake and rescue of another. To do such an otherwise illogical and risky, but *good* thing for another; all in a situation where the other party will likely never even learn about or appreciate it—or they likely won't live through to see it blossom in any way. And to get to that result—and not regret it or the loss of everything in your final moments...

It reflects us rising above our urges, instincts and base desires. We as animals. To act in such a way against our very selves and self-preserving nature. No other being in the world can manage this, certainly for what's little more than a stranger—it is our gift alone. And we with all our intelligence and sentience so rarely manage to achieve anything close. But rarely, every so often, we do manage it.

It must be when we listen to that little 'bug' inside, no matter how small and crushed down it may have gotten over the years, that just wants to do and be something good for another like us. The chance doesn’t come around often, if at all for most of our lives, but when it does—and we manage it—it can only be when our hearts are at their most beautiful point. When we 'break through' and become something more than just the sum of our animal parts and our history—where our sentience, will and humanity are realized in but a moment. When we do something just for the intangible concept that is the principle.

Sure, there are plenty of stories with characters and much greater 'heroes' in them that put others before themselves, as well as sacrifice themselves. Such a thing isn't very unique to this story. But here, it is made especially profound and emotive as with both characters' stories, you see every beat that leads them to their resolutions, where they start from—very low; flawed and morally troubled, chained to the orders of an organization—and where they end up. That 'bug' inside them growing and steering more and more their actions.

Nothing especially "big", different, or dramatic ever happens to the characters to change or set them on this course either. Just a long series of small events, thoughts, interactions, words... It isn't clean—their heroism—and certainly not very 'cool' to watch, it's quick and messy, and there's not really a happy ending to be found in the story either. There's even a struggle with regret and doubt after said heroic acts. And neither manages to 'absolve' themselves in the story or any of the things they did wrong and the crimes they committed... But it is in this messiness and harsh reality, and in seeing their journeys and inner turmoil play out that something extremely believable and compelling is found. Something that sticks out and stays.

It is often said that without fear there is no bravery, or—the more fear that exists, the chance for greater amounts of bravery—and I think that logic holds for acts of greatness and heroism as well. Great characters achieving and doing heroic things is... great, but to write terribly flawed and damaged characters achieving heroic things, and showing that journey believably, I think, is much more special a thing, and Boogiepop does it perfectly here.


*“Humans do not possess a single, focused will. They just have countless bugs buzzing around in all directions inside their hearts. It's fine when all these bugs are headed toward the same meal as one, but when they split apart... People take actions that can only be described as incoherent.”*


There are countless cases one could learn about, throughout all the great conflicts, depressions, and tragedies of history, where everyday people, assuredly flawed people, manage to break through our nature and achieve this, and undoubtedly countless more forever untold; locked away in the everyday noise, or the long and unseen history of the world. Ordinary people sheltering the persecuted and knowingly facing death and torture for it, people running into fires, and firefighters running up burning skyscrapers... Teachers shielding their students with their own bodies, and soldiers jumping over grenades just to save their comrades and friends... Starving brothers giving the last morsel to their starving sisters, and personnel going down with ship or reactor, just to save and protect as many as they can in the role that only they could fill...

If there is a God—or an audience of our experience out there—I am sure this is when they are their most proud, shocked, or affected. Like you or me, who watched the brief stories of 'Scarecrow' and 'Mo Murder'. It is where our souls and characters are truly seen and shining. A soul developed bit by bit over a lifetime, achieving definition in one tiny, beautiful moment, with the decision to do away with self-preservation, the fundamental law for all life, and to hurt or lose ourselves for another like us. These events are not fiction, flukes, or one-off anomalies, and such transcendent beauty is an irrefutable possibility within each of us. Even in the worst and most hopeless among us—as were the characters of Scarecrow and Mo Murder.

If we could control time, and observe with our own eyes our history - the lives of these people, and these events, would surely be the most impactful. It is where I would go. How many journeys would it take, I wonder—being confronted with and seeing first-hand those undeniable acts of purity—to believe and love in all of life and humanity.

I think, just one...

The 'Boogiepop and Others' story, as mentioned previously, is about the greatness of humanity. And nowhere does it achieve this focus and message as perfectly as in this arc for me. If nothing else, I am sure the story of these characters and the themes of Boogiepop will stick with me for a long while still. Though I feel I could just as well rant about the other stories and themes of Boogiepop and Others. They are all explored in such a satisfying and rewarding way correlating to the amount of attention you give it, with the right amounts of subtlety and scope to never come across as heavy-handed or convoluted. The ideas presented and the messages contained always feel perfectly complete by the end of their respective arcs, with compelling presentation and, in my opinion, very profound and memorable conclusions. It is a great feat of the writing to be so compellingly positive in such an otherwise dark and murky story and world, with so few if any 'happy' endings or especially 'good' characters.

In a world now so chock-full of stories and shows of superpowers, heroes, and heroic feats, I think 'Boogiepop and Others' remains truly special. It achieves the same exciting displays of power, intriguing mystery, and excitingly dangerous 'villains' and bad guys, but not very far into its heart does it do away with all of it, choosing to focus on none of it, and it is much more special for this—with a far more powerful, memorable, and motivating sense of positivity and hope than just about any other 'super' story out there.

Reviewer’s Rating: 10

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May 5, 2025

Nico98

Mixed Feelings

We follow a series of "supernatural" events involving high school. Boogiepop only appears when the world is in danger, and so we follow her through a series of events that have no "reason" to exist? They just do. And we see Boogiepop correct them.

It's similar to Steins;Gate or Durarara. Strange things happen, eccentric characters appear, and in the end you don't fully understand it, but it's interesting to watch in case you clarify something at the end. It's one of those where you have to watch the explanations on TikTok.

"But it's not just you; any human being has the potential to become an enemy of ... humanity. Humans are like fuses, and they can explode with any provocation. They can alter the foundations of the world without even considering their consciences."

There are stories that move you, there are stories that make you think, "Why would the villain decide to do this nonsense?" (like Doofenshmirtz's plans). If it falters in any way, it's in logic, but like I said, it's all very eccentric. And we can enjoy it without trying to unravel it.

Chapters One, Two, and Three: Echoe and the Man-Eater
Chapters 4-9: Imaginator and the Flowers, Terminals, the Towa Organization, and Synthetic Humans
Chapter Ten: The Scarecrow
Chapters 11-13: Techniques to Eliminate Fear from the World
Chapters 14-18: The King of Distortion



Spoiler Alert:

I think it was in Chapter 13 that I realized: the next stage of human evolution is dawning. People with abilities beyond the normal are mingling with normal people, and the Towa Organization wants to eliminate or use them, and to do so, they have synthetic humans.

Some of these people use those abilities to kill others; some have strange goals that threaten humanity, or they use them to delve deeper, and so on.

We don't know how it starts, but it's not that interesting. Somehow, Boogiepop is stronger or more creative than the others, and he's the one in charge of separating the wheat from the chaff.

Reviewer’s Rating: 6

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Mar 5, 2022

cowamanga

Not Recommended

Funny

The only reason I feel compelled to write a review is because based on reading others, I truly don't know if I missed something or watched a different show. There's a difference between skilled nonlinear storytelling to build intrigue and just dropping information out of order for the sake of novelty. It's just a bad story but out of order. The show was so sloppy, had so many stories peter out into lame dead ends, and spent most of the dialogue spouting stiff self-serious nonsense. I love introspective and abstract media, this is just not it.

Something that I feel is never mentioned is the ... relationship to the trailer. WHY was the trailer so much cooler than the actual show?? Why did they animate separate footage that was completely unrelated to the story?? Who was the fire skating wizard??? Is there a secret I don't know about??? Please help.

There's so many distinctly bad episodes that even on a second watch with an understanding of the plot, I can't even begin to fathom characters justification for their actions. Nobody acts like a person. The first episode is hot garbage. I love hearing about potentials that might be happening off screen but are still too vague to know why the even matter for 20 minutes. The girl who is also Boogiepop may as well not be a character, her only purpose is to be an arbitrary connection to the other students where all this crAaAzYy stuff is happening, despite her not contributing anything. The way that magic or aliens or whatever operates in this world is so incredible fuzzy I wish they had said 'because fairies.' Magical realism can be so compelling if you don't use ambiguous magic as a weird crutch to wrap up story lines.

There is the rare occasion where someone says something that could maybe provoke a singular thought, but not nearly enough to justify the stale exposition or philosophizing that goes on for majority of the show. I can't reflect on things that have no anchor in reality. So many of the storytelling choices were so strange or weird, I'm not sure if I should be blaming the source material or the adaptation, but I'll leave the original alone out of courtesy and ignorance.

I hate this show. It haunts me. Nothing makes sense. Maybe I'm just an idiot, but I have to live with these memories now and I'll never forgive them for that.
If you enjoyed this show, you are valid and I'm jealous I can't have fun with you.

Reviewer’s Rating: 2

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